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Buy chantix online cheap, 2010 promises to be the beginning of a new age for the dance field, and great and wide reaching opportunities become available to even the newest of dance companies. But, once these doors open, Cheap chantix, it remains to be seen how many companies will have the infrastructure required to walk through them.

Here are ten things dance companies should (and should not) be discussing in 2010:

1.) Globalization
We believe there are four major barriers to audience engagement:

Does the audience member have an opening in their schedule to attend a desired performance.

Is the audience member in the city where the performance is taking place

Are there tickets available.

How much will this attendance cost, goedkope chantix apotheek. Is it appropriate to the experience, buy chantix online cheap.

In a few days, these barriers will be all but destroyed. Buy cheap chantix online, The theme of this year's Dance/USA conference is "Dance Beyond Borders", and there couldn't be a better-timed topic. How will American companies compete in a global dance marketplace. How will foreign companies be able to penetrate the US market, where to buy chantix. Buy chantix online cheap, Is New York's reputation as the epicenter a thing of the past. These aren’t questions for the future, these are questions for now. Cheap chantix online cheap, 2. Real Video, Real HD

According to some, arts organizations have two sources of revenue: fundraising and ticket sales, Arkansas AR Ark. . In our world, arts organizations have a third: digital video. Want some numbers, buy chantix online cheap. California CA Calif. , According to the latest numbers from ComScore, 170 million people (in the US) watched 31 billion videos online in November 2009, up from 146 million and 12.7 billion in November 2008. With this kind of growth, αγοράζουν online chantix, is it really surprising that online engagement was the one positive highlight in the NEA report. Video budgets need to rise – significantly, Chantix online kopen, because there is no larger paying audience for the arts than the digital audience, and this audience demands HD. Formats such as NTSC (standard definition), DV and it pains me to have to say this, köpa chantix, VHS (seriously – if you’re still forcing people to submit VHS tapes to you, step aside and retire) are hereby declared dead. Buy chantix online cheap, Any resources allocated towards producing new video in these formats is wasted. Cheapest chantix in the world, There are some really great technologies on the horizon, and it's time to get ready.

3.) Contracts with Collaborators

It always amazes us how many companies don't have contracts with their collaborators. The fact is, halvalla chantix apteekki, no artist's work should be used for a filmed performance without a contract in advance that grants the company the rights to use that video for all purposes, in exchange for the dancer receiving a set fee or a royalty payment for revenue earned. Arizona AZ Ariz. , Similarly, if you're collaborating with another artist on a work whose involvement essentially ends at the premiere (eg. a costume designer), media rights, especially digital media rights need to be included in those agreements as well, buy chantix online cheap.

Trying to back clear permissions is ten times as difficult and resource consuming as clearing them at the point of contract.

4.) Music Rights

If there is one universal certainty, it is that the door to new opportunities will not be open to companies without proper music permissions, cheap chantix overnight delivery. In some cases, this will result in choreographers not being able to use the music they had wanted, Ordering chantix from canada, even if they conceivably get away with that use without repercussions in the live environment. Granted, new licensing structures for music are still being put into place but the fact is, the last thing any artist wants is for a reputation as an infringer to precede them in a music rights negotiation, West Virginia WV W.Va. .

5.) Legacy Planning

The losses of Merce Cunningham and Pina Bausch in 2009 reminded us of an important truth: all choreographers die, and we can't always predict when. Buy chantix online cheap, There is an entire generation of choreographers who first made their mark in the 60's and 70's that, if the unfortunate event were to happen tomorrow, would have very little to pass down to show for their lifetime of creative genius. Om chantix online, See item #2 above.

6.) Alternative Performance Spaces

We're not just talking about the proscenium stage versus site-specific works. We're talking about every potential space imaginable. Case in point: The Tiny Dance FilmSeries that will be showing at the Dance on Camera Festival in late January is a group of works created specifically for a 2 inch screen. Live performance on stage will remain a very important venue, purchase chantix online, but we're far beyond the point where it needs to be the only venue.

7.) Branding Matters

In a world built on subscription series, small theaters and narrow audience reach, there hasn't been much need for most dance companies to spend time focusing on branding, buy chantix online cheap. In fact, Kjøp Discount chantix, counting the number of companies with brand recognition outside of the core dance audience wouldn't require more than a hand or two. Who is better known. Jakob Carr or Martha Graham. In the digital dance world, köpa billiga chantix, companies need to be aware of how they are representing themselves to how their brand is delivered. Buy chantix online cheap, Does their website reflect a modern aesthetic and is it kept up to date. Does it effectively communicate their work. Order chantix cod, Does it have (and meet) stated goals for the organization, or does it simply serve as a platform for future fundraising. By the way, nothing looks more pathetic than to have a website that explicitly asks for donations on the landing page, billig kaufen chantix.

The best branding move we've seen in the past year: Larry Keigwin. Could anyone have watched that promo and not wanted to go to that party, buy chantix online cheap.

8.)The Real Dance Audience isn't Really Declining.

We know what the surveys and studies say, Cheap chantix tablets, and we don't believe a word of it. Sure, it's fair to say that attendance at dance performances is declining. However, kjøpe chantix, to leap from attendance declines to an overall audience decline is a huge and counter-productive stretch. Millions of people are watching dance on television every week. Buy chantix online cheap, 10 year old children can accurately compare dancers' attributes. Order chantix online cheap, If anything, the dance audience has grown faster in the last few years than in any other period in dance's history.

The problem is that dance companies aren't effectively reaching those audiences, if they're reaching them at all, cheap generic chantix. The source of this problem isn't the dance companies themselves - there's been a major chicken and egg issue with distribution - a company can't support high budget video without distribution, and can't get distribution without high budget video. New Jersey NJ N.J. , However, this distribution has finally arrived, and we'll be spending a lot of time discussing it over the next few weeks.

We recommend you reread #1 to #4 above, buy chantix online cheap. Twice.

9.) The Do It Yourself Mentality

Over the next few years, South Dakota SD , dance organizations are going to begin to evolve as individual tasks rise in complexity. The rise of the digital stage is going to require increasing specialization and expertise that few dance organizations are going to be able to bring “in house”. Cheap chantix no prescription, Dance companies are going to need to look outside for this expertise to be successful, because if they try to do it themselves, they simply won’t be able to do so. As the saying goes, kjøpe chantix online, “jack of all trades, master of none”, and the next decade will require nothing short of mastery.

10.) “Dance is ephemeral”

The ephemeral nature of dance is no longer a stated truth, to be recounted over and over again as if it were the gospel. In the new decade, ephemerality is a crutch, a relic, and in most cases, simply a consequence of poor planning.

Fifty years ago, Doris Humphrey famously wrote “The one inescapable condition surrounding the choreographer in his chosen art is the hard realism of "now." All other arts can wait for the verdict of history if they are rebuffed by the contemporary world--the choreographer not so.”

Dance has escaped the inescapable, and the ephemerality of dance has completed its journey, like so many concepts before it, down the path of obsolescence.

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3 Comments »

  1. Jaki Levy Says:

    This is great - if online web2.0 tools have taught our civilization anything it’s how to be better at sharing and collaborating. And keeping it all in-house is not a tactic for keeping companies afloat (dance company or not)

    But - wait a sec - what about the 10 things Dance companies should NOT be talking about…?

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  2. [...] encourage you to read the post at the TenduTV blog. The article doesn’t place all blame on dance companies, it goes on to describe the catch-22 [...]

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  3. [...] seems to think so.  At least, they included the “dance is no longer ephemeral” debate  in their list of the 10 biggest issues and ideas that dance companies should and will be talking about in the [...]

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